Friday, November 12, 2010

Carriage House - Bed and Breakfast

 I recently revisited a project I did some years ago.
It's so very beautiful.
Originally a large eastern Washington wheat farm, the property has been converted into a winery and bed and breakfast.
This is the equipment storage barn. In its past life it was a simple open faced gable roofed barn.




                                      
I enclosed it with panels to look like doors and we developed the entire center entry with stonework, arched opening, cupola, 9'  high oak doors opening into barrel storage facilities, Europeon chandelier, and arched glass doors on the back side.                                                                                                                           
                                                                                                                                                                


         The door hardware is custom forged by my good friend Arnon Kartmazov at Bridgetown Forge  .

 We built an addition on one end of the building........


........and created a lovely B&B accomodation.








Thursday, September 02, 2010

LONGREACH

                My wife Fern, and I, have named our home "Longreach".

The name has double meaning for us.
In the world of sailing, a reach is a powerful exhilarating sail where the boat often seems to rise out of the water and fly.
Also, this home has been a long time in coming into our lives, a long reach.


The fireplace original to the house had long ago failed. It had significant cracks and was leaning decidedly toward the neighbor's house. A year ago we decided to tear it down and build a new one. This project tripped an array of dominoes throughout the house that coincidentally needed attention. Its always amazing how much extra work is involved in creating an elegant, graceful, seemingly simple product.

The firebox interior is a herringbone of firebrick "splits". bricks that are half the thickness of regular bricks. They create a much finer look inside the firebox.





The fireplace itself is a modified Rumford design. The throat of the fireplace is much more streamlined and the back and sides are angled to reflect heat more efficiently. I found Jim Buckley of The Buckley Rumford Company  to be an astonishing resource in building this. I would highly recommend that before anyone designs a fireplace that they contact him first for technical advice.


The facade is five large 2' x 2' travertine tile cut to fit around the lintel. The lintel and bases are a dense hard dark green stone we found in the remnants yard at The Stone Center.  I hand drew the lettering in Autocad and asked Peter Andrusko to carve it for me. Peter is an amazing craftsman. He is a professional stone carver with a studio in Oregon City. He is very well known and thought of in the world of custom stone carving and big commercial projects. Among his many commissions, he has worked for Maya Lin.


The hearth is Carerra Marble scraps I cut into tiles and laid as a herringbone in a green marble border.


The antelope is "Stanley" he's been with me a long time. I "bagged him" in a pawn shop in Bend, Oregon.

Wednesday, April 14, 2010

Kitchen Cabinetry


I generally don't get involved with kitchen cabinet production but this project called to me.

A client saw an antique European butchershop work cabinet in a magazine and was struck by its suitability and beauty as an island cabinet for his kitchen. He sent me these pictures of it, cut from a magazine.



The cabinet is nine feet long and four feet wide. The top is a central piece of honed Cararra marble flanked by two pieces of eastern maple butcher block six inches thick.

It is built of eastern ash.


My client wanted to indent one side so that people could sit at it while visiting with the cook. We both wanted it to look totally authentic. I constructed all doors and exterior panels with true mortice and tenon joinery that was pinned together with oak dowels visible in the corners of all doors and side panels.

The hinges are Europeon, each solid brass measuring six inches tall. Each leaf of the hinge is buried in the door frame or the face of the cabinet and secured with one small brass pin.


The cabinet door knob is a modified entry doorknob purchased from a local antique store. Decorative brass medallions decorate the centers of all the panels and are arrayed around the top. Two of them serve to cover the electric outlets.

Furthermore the owner had a cow's head cast in bronze to punctuate the end panels.

O
ne of the many benefits of my work is that I get to meet and collaborate with truly great craftspeople. Bobby Bigger is such a person. He did all of the lathe work creating the pilasters. His work is stunning. He is a national treasure.

Inside the interior is painted yellow ochre which is very traditional. It brightens up the interior and looks terrific.

The drawers are hung on modern undermount full extension hardware by Blume. I hand dovetailed the drawers.

The finish was done by Rosemont Design, another group of great crafts people.

This was such great fun to build.

Thursday, August 13, 2009

A Bay Window


I have always deeply enjoyed the work of Edwin Lutyns and CFA Voysey.

Recently I was asked to design a bay window for a hipped roof stucco ranch.

My client wanted to create a very special, whimsical feel to her office retreat.

H
earing this. I took the opportunity to go immediately to Edwin Lutyens design of "Goddards". The result was delightful.




These were the pictures I was working from as I changed what was made of brick and stone to beautiful douglas fir.


Exterior....





Interior...

The interior walls of the bay were extended to create the end panels of bookcases These again were douglas fir. I carved a large trillium in the upper left and right hand panel.


... a lot of fun.

H
ere's what it looks like installed.


A view from outside (not yet fully painted).




Tuesday, April 07, 2009

A Remote Spirit Lodge

Some years ago I became involved in a joint venture between Ecotrust and the Haisla First Nation in an unusual venture to preserve a quarter million acres of virgin Pacific Northwest rainforest. This adjoined an existing three quarters of a million acres of preserve that would be returned to the protection and management of the Haisla First Nation.

They wanted to build a structure on a remote bench of land that was the gateway to that wilderness.

The geography of that area is snow capped, mountainous, deeply incised by profound indigo salt water fjords. These fjords penetrate a hundred miles into the mountain system. Mountains rise sheer from the deep waterways dripping boisterous waterfalls, cloaked in mossy spruce and cedars and dramatic ice polished granite faces hundreds of feet tall.

The topography is vertical.

At the mouth of the Kowesas River valley is a small unusually flat rock shelf. This was to be a staging area and entry for logging operations in that valley.

Ecotrust approached me to talk about the feasibility of building a small cabin on that shelf. There the Haisla could use to lay claim to their ancestral homeland and possibly thwart logging development.

I responded that I would be delighted to be involved in such a project and that I would like the structure to be something that would be a statement of the deep spirit of the Haisla Nation.

And so I began three of the most wonderful and difficult summers of my life.



Logistics were a significant hurdle. The Kowesas River Valley was a three hour jet boat ride from the end of the road. The only other access was float plane. That was how I arrived at the beginning of the season with my plane load of tools.


The first summer we established a construction camp. There was already a trapper’s cabin there that three or four of us shared with a city of mice and a pine martin with a lot of attitude.



Two Haisla men, Frank and John, became the mill men. They got into a jet boat early every morning with chainsaws, raingear, my cutting list, and peanut butter and jelly sandwiches. They went to nearby river bars and milled all log posts, spectacular beams, other lumber supplies. They returned at the end of the day with my next days construction supplies in tow.



Back in camp, we had a cook, George, who kept our bellies full and our morale high. He also lent his back to the construction. We had a supply boat arrive every two weeks and it brought food, fuel, mail, volunteers, and clean laundry.

This is what we got built in the first three months.

The foundation is 15 laid granite columns and one existing boulder.

The posts are whole logs averaging two feet in diameter, cut to fit the irregular stone bases. A steel rod pins the center of the post to the foundation.

The tidal range there averaged fifteen feet and that diurnal lift was crucial to our ability to move huge logs and beams. We also had a large supply of winches, come-alongs, snatch blocks, and line.

The posts are cut halfway up in an unusual joint that allows the floor beams to pass through them with a “Lincoln Log” type joint. The upper half of the post is replaced, straddling the joint.


The structure is traditional mortise and tenon construction pinned with 1” oak pins. No bolts, no nails.



The exterior walls are slabs of clear old growth Red Cedar 2” thick, averaging 2 feet wide and 9 feet tall placed in a slot in the bottom sill and stopped to the underside the overhead beam. We battened between the slabs.

The roof was raftered on two foot centers with rafters 4”x20” then sheathed with 1 by cedar, two inch rigid insulation and steel roofing.

We anticipated a 12’ snow load.

All doors and windows and furniture were built there.

The Kowesas lodge was a significant life event for many of us who worked on it. It was a monument to the efforts of the Haisla. We built something together that was so much bigger than what any of us could do on our own, both physically and spiritually.

It is always spiritually renewing to create such beauty. For many it was one of the few experiences of that they had.

The Haisla Nation declared that this wilderness area would be alcohol and drug free and so for many who lived and worked there it was a very important opportunity to enjoy long term sobriety while living in an extremely beautiful and creative place.


Upon completion the Haisla celebrated with a massive feast, a three day salmon barbecue, with ceremonies and traditional dancing, chanting, carved masks, button blankets and magical carved rattles late into the night.


The Lodge still stands.

The Kowesas valley remains wild, rich in wolf packs, grizzly bears, and big beautiful trees.

.